
Jun is an artist of our struggle for self-awareness. "Do not combine the realistic with the
abstract," novice
artists are advised - so of course Jun does that in
"Rest
at
Chautara." A beautifully drawn hibiscus flower dominates the horizon like a hot air
balloon. Very Japanese colors: red, orange, green, blues, and Japanese calligraphy -
butestranged, derailed from the familiar paths of conventional refinement. Splotches of
subconscious yellow, spider biding on its web, a small house in Rio, Buddha tree
soutlined by subconscious flames. Catch your breath between dreams. The way things
really are exists outside all possibility of human thought. We can only know the patterns
of our knowing, images we make out of our sensuous and intuitive interaction with things.
The surreal is simply thought which is self-aware, for all human thought is limited to a
human perspective. Thus when the poet Odysseus Elytes declares that only the surreal
endures in art, he means art that is self-aware, that does 'not confuse its irreality with
things as they
are. This self-awareness liberates.
Fiery
chaos of the spirit. Buddha's
patch of peace. An apparent dichotomy bridged by Jun sinuous lines. Is the girl
uncomfortably close to the flames, or warmed by them ? Pretty colors, except the blood
red shadowing her grave face. "I am a colorist, I want to use all the colors in a painting."
Kant claimed that he had surveyed the entire island of human reason, mapping each
mode, everycategory
of thought. All the colors.
What
an eye-catchy floating fireball of
spiritpondered so by the boy. Summer flowers and a big bee, so very correct, a bee on
its way to the office. Of course the boy does not see. Jun creates images that are stilled:
here the boy and the bee, there drops of water forever carelessly in mid splash towards
the parched ground,
overhead
the lion in flight. But that's OK, Art is time.
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